Guest Post: Why I went Indie by Lenore Skomal

I am Indie. And I say it proudly and with gusto because I chose it. Perhaps that makes me different from other Indie authors who find themselves pushed into the Indie way because of a general lack of response from the profit-driven, long-suffering commercial publishing industry, which has been reduced to a passel of lost sheepherders trying lead their readers without direction or vision. But that’s another blog post.

A little back story: I started writing books in 2001, following a long career as a broadcast reporter and a burgeoning career in print journalism. It is a career that took me four decades to finally get to. That first book (Keeper of Lime Rock, Running Press, 2001) spawned 16 other book deals with four separate publishing houses. I have hired and parted ways with two literary agents during the course of that time. And learned a lot about the industry in the process, much of which is not pretty or glamorous. Not counting advances, the conventional route of being published through a commercial publisher has, to date, netted me exactly zero dollars in royalties.

The lack of financial success isn’t the real reason I went Indie. That goes much deeper, and it’s multifold. Indie appeals to me. I chose the Indie way of life because it speaks to me and how I have come to approach my life in the broadest of terms, and my art in specific. While working within the traditional publishing hierarchy and producing mostly contracted books, I found myself in a lesser place, wrangling with base emotions. Rather than feeling exalted and amped up like I do when I am dancing with my muse and creating tapestries with my words, I was ugly. That lack of beauty was obvious through my moods and rash feelings of disgruntlement, frustration, shock, sadness, disheartenment and yearning. Always yearning.

My mind shifted from the creative to the competitive. And with that, my higher path dropped to the lowest of roads. I found myself bitter about other’s successes, jealous of those I considered lesser writers who had moved ahead, and greedy for my piece of the pie. This is not what being in the flow is about. I began to look at success in terms of dollars and more dollars. And I continued to plummet.

Dark days indeed, especially because I was continuing to write all that I didn’t want to write. My two novels and two other very important books that I had completed stay buried in my computer, waiting to be discovered by this same industry that had never proved fertile ground for my craft.

The independent book revolution, though I discovered it rather than it finding me, saved my soul. I am a newbie, with only one plus years under my belt with my own imprint. But have found myself again. Through forging my own path to understand all the specifics of getting my work in print, my courage was steeled, my voice sharpened, confidence cranked up, and my imagination humming. This is no exaggeration.

Long ago I isolated the reason why I write. As one of seven kids, raised in a dysfunctional Catholic family during the tail end of the Hippie era, I discovered writing at a young age and found that it did something for me that nothing else could. It helped me make sense of my life. It also allowed me to be heard, which didn’t happen often in the chaos that was my childhood. And that is the primary reason that I write. Being schooled in that tradition for 12 years, I got very used to being told what to do, how to do it, and what to wear while doing it. I was primed for the publishing industry because I was such a good soldier. The problem was, I wasn’t happy and somewhere along the way, they wanted me to sell my soul. And I’m ashamed to say, for the right advance, I might just have done it. Thankfully, no one wanted my novels as they are written, so I remain with my spirituality intact.

I say all of this because it ultimately explains why I love the Indie book revolution. No one is telling me what to do. And that is very freeing. In this ever-evolving movement where boundaries are still being defined and we are all pretty much making things up as we go along, there is plenty of room for all of us. And no one has to change plots or switch voices or add werewolves to their novels or make endings more politically correct, just because an editor or publisher tells us to. Experimental genres are just as legit as literary fiction, and we can all wear unmatched socks and go shirtless to fancy restaurants if we want. And make money at the same time.

You know why? Because we are now free to leave ourselves bare, just as we are, take us or leave us, for the only person that matters to decide: The reader. We cut out the fat middleman, the hierarchy, the chain of command—call it what you will. We go direct to the reader and let that person decide.

Whether you come to independent publishing by choice, like me, or by chance, it really doesn’t matter in the long run. You’re here. And because of that, you’re part of the future, whether you realize it or not. We’re not outside the industry.

We are the industry, redefined.

Author Bio:

Lenore Skomal wants you to eat her books. She wants you to chew them in your teeth, savor them on your tongue, breathe them in, and feel her words in your skin. Her passionate desire is to touch your heart, inspire you, and luxuriate in the world of the written word. She finds ecstasy in constructing a perfect sentence and responds willingly to the nagging ache in her heart to create an authentic experience for the reader. Lenore is an award-winning author with the single goal of being heard.

In addition to writing, Lenore is an engaging public speaker with over 1000 public engagements, book tours and writing seminars. She has taught college journalism, has one son, and when not off gallivanting from Egypt to Mongolia she resides with her husband in Erie, Pa.

To contact Lenore check out her Website or Facebook Page

Categories: Self-Publishing, The Writer & Author, Traditional Publishing | Tags: , ,

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12 thoughts on “Guest Post: Why I went Indie by Lenore Skomal

  1. I love this post. I went indie because that’s what I wanted. The freedom to run my business the way I wanted. Doesn’t it feel great? :)

  2. lornafaith

    Great post Lenore:) I love what you said ‘we are now free to leave ourselves bare, just as we are…’ that totally describes being an indie author for me! I love the freedom to write a book how I feel it needs to be written! It is a great feeling:-)

  3. That was seriously heartening. I came to be indie because I had to. There are confidence issues that the endorsement of a gatekeeper would fix for me… but I like having free creative rein and complete creative control over the covers and being able to write my books in my own time – which, with a 4 year old to look after, is slowly.

    So yeh. Thanks. ;-)

    Cheers

    MTM

  4. Nadja Notariani

    Nicely said, Lenore! Going Indie was the right move for me. I published my first novel last year, and haven’t looked back. I cannot speak knowledgeably about the ‘traditional-publishing’ world, having no experience; Indie publishing is all I’ve known, by choice. Your post further comfirms what I intuited from the start. Thank you for sharing.

  5. Thanks, folks. I am glad what I had to say resonated with you. We can chance the publishing world. I seriously mean that.

  6. Dennis Rutherford Bennett

    Terrific post! I write SF, and I don’t like editors telling me my work is too dark, too complicated, etc. They seem to want “Fluff”, work which is easy to pass off on a naive audience whom they don’t want to alienate. The traditional publishing industry is fading slowly, simply because the editors are afraid to take chances. Go Indies!

    • Agreed. This lack of courage is actually translating into control of what the American public can read.

  7. Fantastic post–it summed up my feelings as well, and I’m happy to see other commenters share the same experience of finding liberation in the indie author world. I tried getting into the traditional pub industry for years, and came close a few times. I received some useful feedback, but like one of the other commenters above, my work was considered “too dark and too complicated” by some. I was reluctant to go indie at first, feeling the sting of the old stigma, but in the two years since I first launched my work under my own imprint, it has been an amazing experience. I love having the freedom to choose my own editor who “gets” my work, the ability to have total control over the design, marketing, and pricing my creative work…all of it…one of the best decisions I’ve ever made.

  8. Great post, Lenore. You made exactly the right decision.

  9. As always, an inspiration, Lenore. To boldly go where no man has gone before….And why not? Reinventing the wheel never spurs anything but mediocracy anyway.

  10. Pingback: Self-Publishing: Carnival of the Indies Issue #23 — The Book Designer

  11. Pingback: Learn from Me How to Avoid a Self-Publishing Calamity

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