Author Archives: Ruth Ann Nordin

How To Write By The Seat of Your Pants

If anyone out there outlines (and succeeds by this method), please leave a comment below because I would love to feature a guest post on the plotting method.

There is no one method that works for everyone.  You need to write in whatever way will get the book finished.  Some of us write by the seat of our pants, others need to plot everything out ahead of time, and others fall somewhere in between.  Today, I want to talk about writing by the seat of your pants because I am that type of writer.

Now for the post…

1. It all begins with knowing your genre.

And when I say “an idea”, I mean that is pretty much it.  There is not much more to it than that.  I write romances, so I know a couple of things going into any book.  I know there is a hero and heroine, there will be some obstacle they will have to face, and there will be a happy ending.  I’m sure other genres have their general rules of thumbs as well–some basic elements that must be in the story.  So that’s where you start.  What are the core components in your genre?

2.  Pick a plot.

This is the funnest part of it.  You get to select whatever plot you want to have, and this plot can be boiled to one sentence.  For example, I want to write a story about a hero who rescues a heroine from a stagecoach robbery.

3.  Pick your setting.

This is where your story takes place.  What country does this story happen in?  What year is it?  What month is it?  Etc.

4.  Pick your characters.

This is another fun part.  You get to select what your characters.  Since this is a “seat of your pants” style, characters can change their personalities within the first couple pages of the book, so I would be very broad.  I’d name them, describe their physical attributes, and give them free rein to develop as they will.  You can have an idea of how acts before you go in, but it’s not until they’re being written do you truly get to know them.

5.  Pick your opening scene.

This is where it all begins, and besides this scene, you won’t have much else in mind when you begin writing.  You might have snippets of other scenes that you “hope” get included but they can change or never see the light of day.  What you might also know is the end.  In romance, this is pretty easy.  The hero and heroine are happy.   But as a general rule, I don’t know how the hero and heroine end up happy or what the final scene is like.  I just know they’re happy.  So if all you really have is a vague idea of what the first scene is like, you’re right on track for this method of writing.

6.  Start writing.

Steps 1-5 take all of a couple minutes, but they are usually thought out well in advance, usually while you’re away from the computer and let your mind wander.

This step is where the real work begins.  Most of the time, it all boils down to writing down the first sentence.  I know that sounds like it won’t go anywhere, but I find as soon as I get that first sentence down, the next one flows along and then the next and so on.

7.  The first three chapters.

I consider these to be the most important ones because these are the ones that let me know who my characters are and I start to figure out how the story is going to go.  The characters are pretty much fleshed out (their motives, their personalities, their fears, etc) by the end of chapter three.  The rest of the story is not fleshed out, but there is usually an idea of where it’s headed and what twists and turns might pop up along the way.  However, it’s not uncommon for those plot ideas to change as you keep writing.

8.  The most important thing to do is to keep writing.

There is no sense in looking back to edit.  Light edits (such as changing someone’s hair color or favorite song) are okay to change, but extensive edits or proofing don’t work well until after the book is finished.  Why?  Because there might be a scene coming up in the book that will change something you already wrote.  Character A might decide they aren’t the villain after all, which means you will have to go back and change a couple of things they said or did to make them more sympathetic.  But the problem is, you won’t know what changes will pop up until you’re writing them.

So my advice, make a note on things that change but keep on moving forward with the story.

I will make an exception to this, though.  If the twist that a character throws at you is so big that it changes everything else that comes later in the story, go ahead and do some light revisions, rewriting, or move scenes around.  If you feel that your characters are falling in love way too soon (that there needs to be more build up to that moment), then by all means, go back and write some extra scenes in.  If you figure scene A would be better after scene B, then switch them around.  But I would not do any cleaning up (polishing the content) until after the first draft is done.

9.  Add more than you think you’ll need.

And as a rule of thumb, it’s easier to delete things than to add them later.  So if you find you are repeating yourself or adding things in that might not make the final cut, go ahead and put them all in.  You can always cut them out later.  I’m the kind of write who hates writing additional scenes after I finish the first draft, so I will throw in more stuff than I’ll need later.  I typically throw out about 3,000 or more words during the second draft process.  I rarely ever add word count to my book once the first draft is done.

Also, with repetition, maybe something is stronger to write in at scene D but weak in scene F.  Well, all you have to do is delete that repetitive thing from scene F and your problem is resolved.  So in first draft mode, repeat your little heart out.  You just don’t know how things will work out until the story is all done.

10.  Don’t sweat the word usage.

Too many adverbs, adjectives, using the same words over and over again, etc?  During the first draft, the goal is to write the story.  So if you say the same word five times in one paragraph, that’s okay.  If everything is “magical” in a chapter, that’s okay, too.  If the hero is always grinning on a page, let him.  Trying to figure out the right word to use or a way to reword a sentence at this stage of the game isn’t necessary.  You can always do this when you’re working on the second draft.  The last thing you want to do in “seat of the pants” writing is to stop writing to figure out the right word for the way the heroine is walking.  In the first draft, she just walks.  In the second draft, she can stroll.

11.  Don’t question the characters.

This is hard but I’ve learned if the characters are changing the plot on me (and most of the time they do), then I need to trust they know what they’re doing and let them lead me along.  Whenever I have fought them on it, I end up getting stuck in the story or the story ends up with serious rewrites.  So when your characters do something unexpected, go with it.  Part of the fun of writing by the seat of your pants is that you get to be surprised.

12.  Highlight and go back to things you question.

While I do my first draft, I don’t search for things I’m not sure about unless I can do it in a minute or so.  If it’s something quick, like “what was South Dakota called before it became a state?”, I’ll take the time to search.  But if it’s taking a couple minutes, I highlight the word I have a question about and go back to it during my second draft where I’ll do the research I need to make sure I’m right.  Once you stop to research something, it hinders the “flow” of your writing.

13.  If you get stuck, jump ahead to a scene you are sure will fit in the story.

Usually, the tricky period in a first draft is somewhere in the middle.  I find the beginning and ending to be the easiest parts of a book to write, but I do get stuck at some point between 20,000 to 35,000 words.  I think it’s because I need to connect the beginning to the ending but want to make sure there’s a point to each scene I put in there.  Every scene must have a purpose.  So when I find myself in the “what the heck comes after this scene?” mode, I jump ahead and work on a scene I know is coming up.  (And by 20,000 words, I do have a couple of scenes I know will be coming.)  So if you know a scene is coming up, and you’re stuck on the place you’re at, go ahead and write that future scene.

14.  If you can, write more than one book at a time.  (Works best for multi-taskers.)

Sometimes when I am stuck and truly don’t know what to write, I work on another book.  I have an easier time when I work on 3-4 books at a time because I can switch to another story if one isn’t progressing as nicely as I’d like.  This method doesn’t work for everyone, but it works great for me.  It’s very common for me to take ten minutes to write in one book then switch to another one for five or ten minutes until I know what I want to write in the first one.  Why this method works for me, I don’t know.  But I am the type of person who can’t sit and do just one thing at a time.  It just drives me crazy.  Usually, I listen to music while I write or do housework because I’m doing two things at once.  So I think writing more than one book at a time works best for people who are multi-taskers.

15.  End the daily writing in the middle of a scene.

Some writers hate this idea, but I love it.  If I stop in the middle of a scene and I already know how it ends, I am in a much better position to pick up writing the next day than I am if I finish the scene.  The reason for this is because when I get back to my story the next day, I already know what I’m going to start off writing.  This helps me move forward so I can get an idea for the next scene because I usually figure out what the next scene will be by the time I end the one I’m currently on.

This doesn’t work for everyone.  It depends on what your style is.  I have a friend who would go crazy leaving a scene hanging.

***

Final thought

Those are my tips for writing by the seat of your pants.  If you write by the seat of your pants and have a way of writing that I didn’t mention or is different from how I do it, please comment.  We all have our own way of writing, and the best way you should write is the way that works for you.  Don’t let anyone tell you there is only one way to do it or that you need to do it their way.  Whatever gets you to finish the book is how you should do it.

Categories: General Writing, Rough Draft | Tags: , , , | 61 Comments

Embrace Obscurity: A Guest Post by LC Cooper

LC Cooper has sent a guest post that will hopefully bring a chuckle or two your way.

*****

Did you see Larry Crowne, the Julia Roberts & Tom Hanks movie? I loathe that film because whenever I write a blog post, I feel like I’m that slob of a husband of Julia’s. Yeah, I have nothing but time on my hands, so I spend it writing, which everyone knows isn’t “real” work. The cool thing about obscurity, in this case, is that I can write whatever I want and NO ONE WILL CARE. I’m not a brand, and by the time I become one, evolution will have put Morlocks in charge of the planet.

Blogs and websites that cater to authors are chock full of smarmy pep talks designed to inspire and encourage. An unprecedented crush of ebooks, a flood of Biblical proportions, is keeping you and your titles beneath the horizon. Still, however, you read optimistic posts just to remain focused on the dream of landing one of your titles onto a NYT list. Well, are you still fired up?

Reading motivational sludge is like a football team listening to the coach’s rousing pep-talk moments before everyone hollers and races out of the locker room, ready for the big game. Yet, in this scenario, they rush out onto an empty field devoid of a team to play and fans to cheer them on to victory.

You, the quarterback, tuck the coach’s speech away into a back corner of your brain and trudge off the field in search of a cold shower. Maybe next time someone will show up, you hope.

Obscurity is the prelude and finale to every artist’s career. The good news is that if you’re reading this, you’re career as a writer has just begun (no well-paid author would waste valuable writing time reading my self-help drivel), and as such, you have nothing but blue skies ahead of you.

Instead of obscurity being your wasteland, I challenge you to embrace it as your playground. The benefits and perks can far outweigh the rewards of being a mid-list or branded author. If I repeat those words often enough, I’ll probably believe them one day.

This post isn’t motivational; I didn’t write it to cheer you on. On the other hand, what I wrote isn’t designed to tear you apart, either. I’ll leave trashing your heart and artistry to your friends, family, and surly readers for the time when your career is soaring.

Instead, I offer a twist to the bitter lemon of obscurity.

Scrooge Was No Fool

This is, by far, my favorite reason why I choose to remain obscure. Sure, I have to sabotage my perfect stories, but plot holes and poor character-development ensure I retain my grip on my money. I can spend it on food and bills and save enough to avoid living on the streets with a guy named Mumbles.

When the day comes that relatives and friends discover that I’m making money writing books, they’ll expect handouts on a scale that would make Santa Claus blush. Oh, the hostility and hatred … and that’s just from me.  I shudder to think how friends and family will react when I tell them no or how they’ll treat me if their gifts aren’t from Macy’s.

They’ll rue the day when, from the ashes of my overwrought imagination and sleepless nights, a finely tuned writing machine emerges. I, the Phoenix, will methodically crank out money-making prose. Magnificently enriched and benevolent, I shall be packing forgiveness and tons o’ goodies. I will understand that showering love and attention won’t be good enough for my family and friends; they’ll demand the bling-bling … and I’ll encourage each of them to write their own friggin’ novel.

Most images I use on book covers I get from public-domain sites. I’m sure the design artist doesn’t mind giving away works for free, right? Hmmm … No, I’m almost certain I don’t care about the double standard …

Grow Yourself Some Alligator Hide, Princess

Another benefit of obscurity is that my spouse, parents, siblings, and even my children don’t pretend to be supportive of my passion and effort. I don’t have to fend off jealous barbs about my stories, characters, grammar, clothing style, choice of toothpaste, and the like. When that does happen as my career takes off, I’ll have my agent return their calls; I’ll be too busy running their Prias off the road with the limo my fans buy me.

For now, I have to live with the fact that no one cares about my aspiring career. I can’t get family to read my short stories, let alone the novels, so my craft remains unadulterated. I get to write and publish exactly what I want with no fear of upsetting my spouse with one too many commentaries about the mother-in-law’s bushy moustache.

Critics refer to my artistry as a “hobby” that I’m “dabbling” with. The Bar of Expectations is set so low for me that I get attaboys just for finding the courage to get out of bed each morning.

Condescending backrubs and head pats are plentiful, given when someone passes behind my desk chair. Instead of a constructive critique, they offer little more than a tongue click or a snide comment pooh-poohing my plot.

I daydream about ripping the offender’s face off and cramming it through my shredder, all the while screaming, “It’s fiction, you idiot. None of it’s real.” But then, I notice I’m alone in the room … all alone. (*sniffle*). Instead of sharing playful banter, I just slap on a foolish grin and wave happily at his/her rapidly disappearing backside, knowing that one day, I’ll thank them for their lack of support with their share of lavish gifts.

Sybil-ized

Obscurity keeps me from being pigeonholed into a specific genre demanded by my publisher and readers. I can experiment with the most bizarre plot twists and character quirks imaginable. It’s refreshing that there’s no pressure to write formulaic factory books—the brass ring.

Planning ahead for my inevitable fame and fortune, I created multiple identities via pen names. I have begun using a different one for each genre I write within. I couldn’t get away with this approach unless I was obscure. Think about it—once I’m a famous novelist, my breadwinning genre will demand a significant chunk of writing time and attention to keep the money flowing. My new and refreshing stories will have to exist under separate personalities, and none of these can be worked hard until my cash cow’s milk has run dry. Not a problem when one is buried deep within obscurity because it lets me do that NOW!  I get to goof around and see what sticks.

IRS? No Royalties = No Worries!

Taxes, shmaxes, The Man can’t take what I don’t have. Without book sales, I don’t get paid. The financial headaches that plague mid-list and brand authors are inconsequential to me. Every end-of-quarter and April 15th, I grin because I don’t have to calculate the potential income I might earn from a fickle readership. My taxes are based on the single W-2 I get from my shifty and unscrupulous employer. None of my royalties are wasted on legal and financial services.

My Day Job

Obscurity gives me the opportunity to refine my skill at sucking up to my boss and his/her cronies. I can’t afford to lose my job because my book sales are in the toilet, so I’ve really become a people-person at work.

No Black Eyes

In a favorite dream, I’m competing in the 100-meter dash against the super-model Cindy Crawford. My strategy is simple: I keep a few paces behind her for the first 70 meters and wait for gravity to work its magic. Cindy’s 38DD boobs bash her in the face with each stride, eventually knocking her senseless. Before collapsing from the pain of getting two black eyes, she yells to me, “Curse you and your tiny boobs, LC!” Then, I do a touchdown strut across the finish line.

Huh? Well, since I don’t pack the big guns of the Famous, obscurity works against gravity and protects my stories from piracy and tyrannical reviews common with high-profile authors. This means I save gobs of money on legal fees and aspirin. See? No black eyes.

Unfettered Vacations

When not writing, I relax in my pool chair, sipping Corona knock-offs in front of my wall mural of a Caribbean sunset.  Without a beach nearby, my cat’s litter box is an adequate substitute, even though I avoid driftwood and the tidal pools. I did chuck my ringing mobile phone into the mural’s water once. Unfortunately, my neighbor was home. He responded to the hole I’d put in the wall by crushing my phone into silicon dust. If I were a B-list author, I’d already have a replacement phone, but since I’m obscure and broke, does it really matter that my voicemail box is full?

Well, Almost No Black Eyes

Writing short stories is inexpensive therapy for me. I publish and give them away for free. I never expect reviews of my free stuff; however, there are readers who feel obliged to hammer a stake into my heart anyway. Because of the internet’s longevity, spite-slathered reviews will be forever tied to my titles, and I detest that fact.

As I write this, I wonder if I’m growing out of obscurity. A hateful review means that I succeeded in drawing enough emotion out of a reader that s/he felt compelled to react. Being obscure, it would be less of a sting if the reviewer had actually paid money for the title s/he blasted, though.

As such, I prefer to remain in my bubble of obscurity, safe below the horizon of fame and fortune and out of reach of dorks disappointed because I don’t write Barney stories.

Out of necessity, brand authors and high-profile mid-list authors have to keep their mouths shut all the time and hide behind their publicists and attorneys. As you can see from this diatribe, I ain’t got nothin’ to lose. After all, when you’re obscure, is there a level called “Obscurity minus One?”

Neener, neener, neener

*****

LC Cooper’s Bio:

LC Cooper was born “Linguini Casserole Minicooper, Jr” on July 3, 1976 in the back of her parents’ RV during a stop to use the bathroom in Yeehaw Junction, Florida.

Her mother, Carla, and father, Carl, both granola-munching tree-hugging disco-hippies were stuck in the transitional musical wasteland of the mid-70s, With lousy role models polluting the political and cultural landscapes, Carl and Carla followed the craze of giving offspring ridiculous names. Since “Dweezil” and “Moon Unit” were taken, Carla decided on the name “Linguini Casserole” for the meal she had right before her baby girl was born.

Bursting with tales of her adventures, LC bought a quaint “fix ‘er upper” in Tuscany, Italy and became a writer. Now in her 80s, LC has published over 63.7 novels, children’s books, and movie scripts. Her instructional video series, “How to Become an American CEO and Avoid Jail time While Screwing Over Your Employees and Customers,” is legendary. Some analysts credit her lessons as the business model that practically ruined the US economy in the first decades of the 21st century.

Today, LC Cooper writes from aboard her yacht, the aluminum pontoon boat “Lucky.” She still maintains a presence on way too many blogs; provides motivational-speaking services for senior executives who don’t really give a crap; and remains the longest-running seat filler for trite award shows.

For more information about her and her books, please visit:

Smashwords author page: https://www.smashwords.com/profile/view/LCCooper

Blog: http://www.lccooper.blogspot.com/

Categories: Psychology of Writing & Publishing, The Writer & Author | Tags: , ,

Myths About Being a Published Writer: Part 1

Today I thought I’d go over some common misconceptions about what it’s like being a published writer.  This is part of a “I wish I knew this when I was starting out” post.  Hopefully, what I had to learn the hard way will be something others can learn the easy way.  I’ll start off with part 1 and add more to it as I think of more to add.  :D

Myth: Once I make it big, I’ll be on easy street.

Fact: The truth is, sales fall and your next book might not be as big of a seller as the one that just made it big.

There’s no telling which book will sell better than another.  I’ve written books I thought were going to be popular because I received emails requesting them (seemed to have a big demand so they had great potential to be good sellers), but in the end, they didn’t sell as well as some of the ones I didn’t think would do well at all.  It’s like playing the lottery (in some ways) because you invest months to years writing the book, hoping your work will pay off.  You never know for sure what your next book will do.  All you can do is write more books to add to your odds of “winning”.

Myth: I can write whenever I feel like it and thrive as an author.

Fact: Writing is like any other job…and you need to do it even when you don’t feel like it.

This is not an easy job, and it’s not for the faint of heart.  Like any small business owner, you will have to deal with everything yourself.  (I’m talking specifically to self-published authors, not traditionally published ones.)  Everything is on your shoulders, and it’s a lot of responsibility if you’re going to treat it like a job.  You’re going to have to establish deadlines because if you don’t have deadlines, you will probably keep putting things on hold.  A business needs to produce a service or product on a consistent basis if it’ll have the chance to thriving.  You can’t sit and wait until you feel like writing.  Some days will feel like you’re pulling teeth just to get a few sentences down on the page.  If you have a job outside the home, you will find a way to do it.   The same has to be true for writing.  It has to be a priority, not something that happens when it’s convenient for you.

The exception to this is when an emergency comes up (ex. illness, death in the family, tornado blew your house down).  You can’t write when under tremendous stress like that, and if an emergency came up when you are working outside the home, you will take the time off of work to tend to that emergency.  Same is true with writing.  Treat it like an outside job and use common sense on when you need to take time off.  But don’t take time off just because “I’m bored” or “I don’t want to write today”.  If you’re not writing, then do something to add to your business: make a book cover, outline a future book, work on some blog posts, answer emails.  But make sure you aren’t using the extra stuff to get out of writing.  Writing is the key job you have.

Myth: Once I make good sales, all my financial woes are over.

Fact: Your financial woes will be over when you learn to manage your money effectively.

Sales have nothing to do with your financial well-being unless you are smart about how you’re handling your money.  You can sell a ton of books and be a mega-star in the self-publishing industry, but if you didn’t plan for real life, then you’ll be up a creek without a paddle.  People seem to assume that more money = less stress.  I think the opposite might be true.  With more money comes more taxes, more demands from family members to get stuff (and it’s hard to say no to your spouse when your spouse really, really, really wants something), and you’re tempted to get more things because suddenly the money is there.  It takes a lot of discipline to put aside money into the tax account so you can pay your quarterly vouchers, stay out of debt, build up an emergency fund, and save for future expenses.  This is all common sense stuff, but when you make sales, the temptation is there to spend the money as fast as it comes in.  You just can’t do it.

Myth: Everyone will love my book because it’s THAT good.

Fact: There will always (and I mean ALWAYS) be someone who hates your book.

It doesn’t matter what the reason is.  The fact of the matter is, you can’t please all the people all the time.  Tastes are too subjective and human nature is fickle.

Myth: I got 1-star reviews.  That means I suck as a writer.

Fact: Not necessarily.  

1-star reviews does not mean you suck as a writer.  It could mean the people reading your book don’t agree with something you put in your book.  Say your book features a smoker and the person reading your book hates cigarettes.  They probably won’t like your story because you have the smoker in your book. Or it could be some other factor.  (I got a complaint from a reader saying she’d never read one of my books that featured a smoker in it.  I got another complaint from someone who didn’t like the fact that one of my families I feature in some of my books have blond hair.)  So the reason could be minor.  It could also be huge.  Religious and political differences could be a reason that someone will hate your book.  Any time you write a story, you have to select characters and situations those characters are in, and there is bound to be something in there that someone will hate.  It’s part of the game.

Categories: Business Plan, General Writing, Psychology of Writing & Publishing, The Writer & Author, Writing as a Business

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