Self-Publishing

Some Tips For WattPad Users

I’ve been using WattPad for the past couple of weeks, and I thought that an article about it would be fun to write. Also, I found out this blog doesn’t have an article on WattPad yet, so I thought I’d break the ground and do a piece on it.

Throughout this article, I will try to give some sound advice on using WattPad and possibly getting some success through it. If any WattPad users have any additional tips they would like to…well, add in, please let us know. I’ll do a follow-up article with your words of wisdom.

So, first things first: What is WattPad? WattPad is a website where writers can upload and share stories with the public. It’s been in operation since 2006 and it’s been nicknamed the YouTube of storytelling. Writers can upload stories, gain feedback, create covers, and enter contests with their short stories or novels.

What sort of work is published on WattPad? Just about anything is published on WattPad. Novels, novellas, short stories, poems, non-fiction pieces, of all types and genres. Science fiction, fantasy, and YA stories tend to be the most popular, with horror and romance in a close second. There’s also a sizable amount of erotic fiction on the site, though I haven’t personally browsed that in any great detail. And technically erotica isn’t allowed on the website, but I won’t tell if you won’t.

Is it possible to get success through WattPad? Depends on what you mean by success. It is possible to spread your work to other writers and readers, maybe get feedback, and learn something from other writers by both reading and being read. And it is also possible to get the success that every author only dreams about (there’s an example of that in a recent issue of TIME magazine), but like anything in fiction, that is very hard to achieve and what can cause it is very difficult to predict.

How do you spread your work through WattPad? Tags and categorizing your work is very important, because it allows people with similar interests to search out and find your stories (and on that note, make sure to also rate your short stories appropriately. At the very least, an R-rating might deter some nine-year-old from reading a wildly inappropriate story). Also, networking with other authors, commenting on their stories, and even recommending works to authors you make friends with can be very helpful.

What are some ways to keep your readers interested in your work? Besides having interesting work, there are a couple of ways. One is to post frequently new stories or updates. Another is to post a novel on the site, but to do it in serial form. Posting new chapters on a regular basis keeps our readership up and it keeps them wanting to know more (especially if you end every chapter on a cliffhanger).

Should one copyright their work before posting? Well, that depends. Copyrights cost money and take time to process, so if you don’t mind waiting and shelling out money for the fees, then by all means get copyrights. At the very least, you should get copyrights for novels or for works you plan to sell in the future, and do it before you post it on WattPad.

I should also mention that WattPad allows users to post whether a story is copyrighted or not, so take advantage of that when you post a story. It could be seriously helpful.

If you publish a story on WattPad, can you put it on your resume as a publication? Again, that depends. This is a website where anyone can upload a story, so whether or not you want to include uploading stories onto an author’s YouTube on your resume is up to you. Some authors are comfortable, some aren’t. I know a few of both. If you are comfortable with it though, then only do it for stories that you’ve never published before in any way, shape, or form. And if you’re shopping for a publisher, definitely don’t do it!

What are these contests through WattPad you mentioned earlier? Wattpad holds a number of contests throughout the year. Most are small, but there are some big ones, including the Wattys, which are held once a year, and the Attys, which are for poetry and were started by author Margaret Atwood (yeah, she’s on the site. How cool is that?). The contests are open to all users with a WattPad account and who follow the rules of those contests.

If you are a regular WattPad user and have any other tips you’d like to mention, then please let us know. If I get enough tips, I’ll do a follow-up article on the subject with your tips in it.

Categories: Author Platform & Branding, Blogs & Websites, Book Promotion, Copyright, Digital & ePublishing, Marketing & Promoting, Publishing Trends, Self-Publishing, Short Stories, Social Networking, The Writer & Author | Tags: , , , , , , , , , , , , , , , , , , , , ,

CreateSpace’s New Distribution Options: Pros and Cons

Recently, CreateSpace added several new free distribution options to their distribution channels. This includes distribution to bookstores like Barnes & Noble and your local bookshop, academic institutions and libraries, and to CreateSpace Direct. These options, once available only to authors who were able to afford them, are now available to self-published authors with all sorts of incomes, writing styles, and fan followings.

Now there are definite perks to doing this. Authors would love more readers, and if they are able to reach readers in places previously unavailable to them due to monetary concerns, this can only be good for them. And bookstores, which have been suffering with the rise of the e-book and online distributors, will probably benefit being able to cater to the fans of authors whose works were before only available on certain online retailers. In a way, it’s a symbiotic relationship, both for authors and booksellers.

Not only that, but the books of self-published authors are sometimes rejected by libraries and academic institutions because they are self-publsihed in the first place, or their self-published status means that the books don’t come from certain distributors. If authors are able to get their works into libraries, that means people who don’t own e-readers or who can’t afford to buy books online can now read the books of self-published authors through this new distribution system.

And, using the expanded distribution channels means a potentially higher royalty rate for every copy sold.

However, there are drawbacks to this. Amazon, which owns CreateSpace and it’s print-on-demand services, determines minimum prices for all works published through them. They calculate these minimum prices by determining the length of the book, how much it’ll cost to print, how much they get from the sale of the book, and how much they need to give the author. Recently when I published my novel Reborn City, I saw that the minimum price they gave me was a little less than nine dollars, much higher than I’d expected. I wasn’t happy about it, but I decided to go with it and make the best of it.

When today I decided to try these expanded distribution options on RC, I found out that in order to use these expanded distribution channels, the list price would go up to at least thirteen dollars. In other words, the increase didn’t cost anything for the author, but it did cost extra for the reader.

I decided not to take these extra distribution channels because of the price hike it’d require. Some of my friends and family would not be able to afford a paperback copy because of a list price, or they’d be much more reluctant to buy it because is it not  their genre in addition to being over thirteen dollars. Plus, I’m the kind of guy who doesn’t want to make people pay too much for his work more than he wants them to actually read his work. Terrible character flaw, I know, but I live with it.

However that’s my own personal choice. If you wish to, go right ahead and sign up for these new channels. It’s your choice, which as I’ve said before is one of the best perks of self-pbulishing.

And who knows? You could see your sales go up dramatically, and your fanbase expand like a hot-air balloon. Not to mention the joy of telling friends and family that your work is now available in bookstores and libraries.  That’s always something to make you feel good. And for some books, the increase in the list price might not be too high, so if you have my problem with pricing books too high, it may not be so bad after all. I might still use these channels for my collection of short stories, which is already very low-priced.

What do you think of these new distribution options? Are you planning on use them? If so, why or why not?

*Note: Since this post’s publication, I’ve had a change of heart and I’ve decided to try distributing my books through these new channels in the hope of reaching more readers. Whether or not I’m successful, we shall see. Wish me luck, as well as everyone else using these options for the first time.

Categories: Amazon store, Author Platform & Branding, Book Pricing, Book Promotion, Business Plan, Createspace, Digital & ePublishing, Marketing & Promoting, Print-On-Demand, Self-Publishing, The Reader, Writing as a Business | Tags: , , , , , , , , , , , , , , , , , , , , ,

The Length Debate

Lately I’ve been wading into a debate that I thought merited some discussion on. And as you can probably tell from the title of the post, it has to do with length. The length of different pieces of fiction, to be exact. For years, I’ve subscribed to a particular set of guidelines for fiction lengths that go something like this:

•Flash fiction: 1-1000 words
•Short Story: 1000-10K words
•Novelette: 10K-20K words
•Novella: 20K-40K words
•Novel: 40K+ words

(The definitons above are based on many self-help writing books I’ve read and on the submission guidelines for National Novel Writing Month’s online contest.)

Until recently, I had no idea that there was an actual controversy on the lengths of the various forms of fiction listed above. Some people consider flash fiction only goes to five hundred words, while others argue that a short story can’t exceed 7,500 words without becoming a novelette. Most discussion is saved for novel lengths, with many arguing that forty-thousand is too small and leaves readers feeling robbed when they’re promised a novel that turns out to be too short for their tastes.

When I asked a writing group I belong to on Facebook what their thoughts on this issue were, especially when it comes to novels, I got a number of responses. Some said that fifty-thousand was a novel, though they thought it was a short one. Others said sixty or seventy-thousand was an appropriate minimum for novel length, and a few said fifty-five thousand was a good compromise as it’s right between the lowest minimum and the highest maximum values often cited in the debate. (For now, I’ve revised my definition of novel lengths to fifty-five thousand words at minimum, both for the reasons listed above and because my work usually runs much higher than that, so it works for me.)

To be truthful though, instead of making me worry if I’ve been using a bad definition for what constitutes a novel all this time, I’m pleased that authors are having this debate, especially self-published authors. One of the benefits often touted for self-published authors is that they get to write what they want, and this debate is a reflection of that in some ways. Authors are free to use their own definitions of novels and short stories and novelettes and whatever they write, rather than having to listen to what publishers and agencies believe a novel should be. It’s just another form of the freedom self-published authors are afforded.

However if in November you want to take part in the NaNoWriMo contest and decide that the threshold they give for a novel’s length works for you, then go right ahead. You’re just as welcome to exceed it and write as many words as you feel constitutes the creation of a novel. It’s your choice.

What are your definitions for the various lengths of different kinds of fiction? Why do you think that?

Categories: General Writing, Self-Publishing, Writing as a Business | Tags: , , , , , , , , , , , , , , , ,

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